Still pondering this idea of sacred space in the city. What is it that makes particular spaces feel different from others? Why am I ‘drawn’ to one building over another? Why do I walk away from certain places feeling enriched in my spirit?
Interestingly, the American architect EA Sovik did some thinking about this some years ago. His question: ‘What architectural qualities evoke an intuition of holiness?’
In what I’ve read, Sovik draws upon Rudolf Otto’s three aspects of ‘the holy’, simplistically summarized as (i) the devotion to truth, (ii) the commitment to love, and (iii) the awareness of mystery. Sovik’s concern is to explore the possibility of these in architecture.
To begin with the last, Sovik suggests that mystery is mediated most profoundly through encounters with beauty—“ineffable, unknowable, but perceivable, remote but fascinating. We sense it, we do not deduce it. It is an experience, not a rational conclusion. The beautiful thing invites us into a state of wonder or awe.” The beauty that Sovik describes is far more than cosmetic or faddish. A place of real beauty, he says, “is like the Mysterium Tremendum: its mystery grows as we contemplate it.”
Next, a building of truth is one that is honest. As a structure, it has integrity. Architecture is real, Sovik says, when it’s true to its purpose or function. It is a structure without pretence, false veneer or clever illusion. It is a place that never tries to be anything other than what it is. And it is what it is with confidence, grace and presence.
Finally, a building of love is one that is gracious, companionable, generous, strong, gentle and hospitable. In contrast to those buildings that speak of exclusivity, intimidation, self-indulgence or self-assertion, the architecture of love is embodied in a building that enriches and affirms all those who enter.
With these criteria in mind, I have wondered what places in the city, apart from churches, ‘evoke an intuition of holiness’ in my own encounters with them. I can think of three most easily.
The Latrobe reading room, State Library: Most Fridays I sit in this room to prepare for the week to come. I never tire of it. It is a stunning and majestic space, and one that becomes even more beautiful as time passes. It is a place of clear purpose and its structure serves that purpose magnificently. Grand, but never intimidating, it’s an inclusive and hospitable place imbued with a welcoming presence.
The Great Hall, National Gallery of Victoria. Just a week ago, my children and I did what Melbournians have done for decades. We walked into the majestic open space at the rear of the Gallery, laid ourselves down on the carpet and stared up at the magnificent mosaic glasswork that is the ceiling. That this space is both beautiful and true is evident in its enduring place in Melbourne’s heart. But what struck me this time is the welcoming feel of a space that could so easily be an elite and exclusive one. In all the years that I have been visiting, I have never once been bared from entering or from lying down on the carpet as if it were my own lounge room, along with so many others.
The Pioneer Women’s Memorial Garden, Kings Domain. Though originally established to honour the pioneer women who came to Australia from Europe, today the garden honours all women who have loved this country as home. Though perhaps more highly structured than appeals to some, I’ve always found this sunken garden built around a fountain and backed by those alluring blue tiles such a peaceful place. Since childhood it’s a place I’ve returned to with affection. It always strikes me as uniquely beautiful, true within its age and time, and somehow open to a new and more inclusive hospitality as the Australian story evolves.
Those are some of mine. What places feel sacred to you?
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